However, at the end when (Jon Anderson) YES starts singing, there's some layered film grain that, IMO doesn't look that great. Some of this I will forgive because you can see it's a source-related issue. There's is some softness, and then other shots are clean film grain. At times the image is really bright, and what Arrow has done here allows the movie to be seen fully. I can't really say which one it is, but if you're picky like me you'll be able to see it.Ĭontrast and brightness are excellent, I didn't see anything clip out in the whites. This is a typical issue for SDR color grading. This is either intended in the color grade or when graded to SDR, some shots aren't managed correctly. In a couple of scenes, black levels looked slightly blue. However, sometimes there are some shots that look as though they needed a gamma adjustment. There's minor ringing, but it's minor, even for me, so I think it's completely fine.īlack level detail is superb. There's no edge enhancement to speak of and ringing is also low. Thankfully, Arrow didn't think, hey, this will be a perfect opportunity to add edge enhancement. The detail is very nice, leaning towards soft, but still good. Also, I didn't see any bit-depth issues with banding and such, again, really good to see. I wouldn't be surprised if it's been specifically graded for SDR, because I think the colors are superb. Honestly, the colors are bright and very bold. Anyway, let's see what we have here.įirstly, the colors are absolutely gorgeous, and this is all without HDR color grading. The quality of this master looks fine to me. If it was because of the director's cut, then just leave out the director's cut. No 4K on this one, which I honestly find strange.

I'm an 80's kid, and seeing all these 80's movies come out again is great to see.

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